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YOU DON'T WANT TO MISS THIS YEAR'S ARTWALLAH PERFORMANCES FEATURING |
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EXCLUSIVE AFTER-PARTY DETAILS DURING BOTH PERFORMANCES |
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FULL FESTIVAL PROGRAM |
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ICARUS There may be a proper way to explain how a city becomes a bully. The piece’s teller understands that there is little documentation. Proof is quiet. Therefore everything is made up, or remembered as gossiped, the images gradually engineered to be fabulistic in its portrayal of memory. Part of a set of shorts, Icarus shamelessly documents the Machiavellian tendencies of one particular city-street, desert-tinged, expat-ridden, as it feeds, grows, grooms, and becomes downright nonsensical in its snootish expectations of its paid expats. About memory as it was, as it used to be. And what it is, and how it has always been. Tiresome. Real. |
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DHARINI (Earth) An inquisitive teenage girl with a love of science struggles to accept the sudden loss of her older brother in an accident. Taking place over the 16 days of the 2003 Columbia space shuttle mission, DHARINI delves into the world of this imaginative young woman whose personal tragedy seems somehow linked to the greater cosmos. |
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Shaheen Sheik and Band International recording artist, songwriter and producer Shaheen has embarked on a path to even bigger stardom. On the heels of being honored as a Top 10 Finalist by Los Angeles Star 98.7FM radio station fans in the 2007 Unsigned Artist Search, Shaheen released her highly anticipated sophomore album REVOLUTION in May 2008. On Saturday night, hear the softer, acoustic side of Shaheen, featuring songs debuting at ArtWallah 2008. On Sunday, Shaheen will unleash her high octane dance tracks from REVOVLUTION with band mates, Michael Duffy (drums) and Vivi Rama (bass).
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Oliver Rajamani and Ensemble Rajamani, breaks borders with his magic and spirit of Indian music, fire and passion of Gypsy music, history and beauty of Tamil Folk music, mysticism of ancient Tamil spiritual chants. - all having their roots in ancient India. |
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WAITING FOR RASIKA This contemporary padam is one act of "Echo- A Movement in Four Acts." Using one dancer's body and snap shots of the body, the piece reflects a (female) self as composition in body, time, place, and the tension between the self that is, and the subject that is seen. |
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THILLANA Thillana, a Bharata Natyam pure dance performance features exciting foot work, joyful gestures, and sculpture-like images. Malathi Iyengar, in her signature choreography shapes movement created through layering, juxtaposing, and exploring spatial planes. |
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BAHU-BETI-BIWI (Daughter-in-law, Daughter, Wife) The breadth of a woman’s experience, both of her outer world and her inner world are embedded within a genre of centuries-old songs that women sing in the desert regions of North India. In this solo dance-theater piece, Gandhi excavates various songs, exploring both the humor in tragedy and the tragedy in humor by embodying various female characters: her aunties, her mother, and herself, who all deal with restrictions in their lives. |
KISMATE presents CLUB CHAOS Fri July 11th. |
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